MACKEY MAIN STAGE |
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Disney's
Aida Music by
Elton John Directed
by Scott Spence "Spectacular
spectacle"
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Based on Verdi's opera, Aida is a musical bursting with energy that tells of the love triangle between Aida, a Nubian princess stolen from her country, Amneris, an Egyptian princess, and Radames, the soldier they both love. Aida is an epic and classic tale of love, loyalty, betrayal and courage. More info... Sponsors: |
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By
Jeeves Andrew Lloyd Webber & Alan Ayckbourn Director:
Michael Rogaliner
Produced through a special arrangement with the Rodgers and Hammerstein Theatre Library |
A musical comedy from the classic P.G. Wodehouse stories. Jeeves the butler is the brains behind English buffoon, Bertie Wooster. A tale of escalating chaos unfolds to the musical accompaniment of one of Andrew Lloyd Webber's most vivacious and lively scores. By Jeeves is a refreshing alternative to the larger and louder musicals.
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Seussical! Lyrics
by Lynn Ahrens
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So says the mischievous Cat in the Hat at the onset of this fantastical, magical, musical extravaganza!
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A
Raisin in the Sun Written
by Lorraine Hansberry |
...one
of the highlights of this theater season...
The certainty that the ideals of "life, liberty and the pursuit of happiness" can beome reality for anyone willing to work for them is what we call the American dream. For many, the dream does come true. For many it does not. On of the most produced plays of all time, A Raisin in the Sun is the epic story of the Younger family struggling to realize "the dream" by escaping ghetto life.
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On
the Town Music by
Leonard Bernstein It's New York City, and three all-American sailors are on leave from their ship docked in this fabulous city. On the Town is an uplifting, fun adventure with memorable musical numbers including "Come Up to My Place," "Lucky to Be Me," and "New York, New York." More... Sponsored by Newsradio WTAM 1100 and LakewoodBuzz.com
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Here’s what the critics are saying about this musical extravaganza. “On The Town is something to celebrate…It’s a celebration of youth, written by and about young people full of innocence and hope and on the cusp of life in uncertain times. It’s a celebration of the rich canon of musical theater, which director Fred Sternfeld and a dedicated ensemble bring to vivid life at the Beck Center for the Arts…Like its youthful creators, ‘On The Town’ is a young piece that hints at the future greatness of its innovators. Full of zaniness, cornball humor, and a storyline as improbable as it is fanciful, the show nonetheless offers nonstop entertainment…Thanks to Beck’s artistic director, Scott Spence, and director Fred Sternfeld for bringing this effervescent classic to the forefront.” - Fran Heller, Cleveland Jewish News “…There are several tasty performances, including one from the silk-throated and take-charge Aimee Collier as a playfully randy Hildy Esterhazy…a number of performers prove worth writing home from the Big Apple about. Joe Fornadel, Colin Cook and Sean Szaller add up to a happy threesome as sailors Ozzie, Chip and Gabey, particularly in their ‘New York, New York’ trio. Maggie Stahl has zanily toothsome allure as Claire De Loone and Katelyn Blockinger killer gams as the subway’s ‘Miss Turnstiles,’ Ivy Smith. Several dancers in the ensemble turn heads…Collier’s rarin’-to-go, taxi-driving Hildy has the vocal prowess and bubbly presence the show could use more of…It’s lovely hearing all those fetching Bernstein tunes…” - Tony Brown, The Plain Dealer “…Song and dance still appropriately supply the work’s central charms… Sternfeld deftly employs a company of nearly 40 to carry out a string of his patented, admirably detailed crowd scenes, and he’s engaged several attractive lead performers…choreographer Martin Cespedes has devised several gracefully retro recreations that are always stylish and occasionally radiant.” - James D’Amico, Cleveland Free Times |
The
Imaginary Invalid Written
by Moliere Linda
Eisenstein, Cool Cleveland 05.25.05: |
The Imaginary Invalid (1673) may be considered another of Moliere's great character plays, in which the entire development of the action, like in The Miser, centered around a single trait of character upon which everything turns, in this case, that of the hypochondriac. As created by Moliere, the hypochondriac is someone who wants to be sick. To tell Argan that he is looking well is considered a rude offense in this household.
"...captivating..." |
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